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The king's guitarist: the life and times of Marco Aurelio Zani de Ferranti (1801-1878)
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ISBN: 9090202129 9789090202129 Year: 2005 Publisher: Wijnegem Homunculus

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Marco Aurelio Zani de Ferranti: a biography
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Year: 1989 Publisher: Heidelberg Chanterelle

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Music --- Zani, Marco Aurelio


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Italiani nel Belgio: Marco Aurelio Zani de Ferranti di Bologna, musicista e letterato
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Year: 1931 Publisher: Bologna Azzoguidi

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Colonna di Marco Aurelio
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Year: 1957 Publisher: Milano : Editoriale Domus,

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La colonna coclide istoriata; : problemi storici, iconografici, stilistici
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Year: 1960 Publisher: Roma : "L'Erma" di Bretschneider,

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Periodical
Der Werkekatalog von Marco Aurelio Zani de Ferranti
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Year: 1997

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Stratagems of war
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ISBN: 0890055033 0890055041 9780890055045 9780890055038 Year: 1994 Publisher: Chicago (Ill.) Ares


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Marcus Aurelius
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ISBN: 1280327049 0203268792 0203137590 9780203268797 1134695691 Year: 2002 Publisher: London Routledge

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Marcus Aurelius, the philosopher-emperor who ruled the Roman Empire between AD 161 and 180, is one of the best recorded individuals from antiquity. Even his face became more than usually familiar: the imperial coinage displayed his portrait for over 40 years, from the clean-shaven young heir of Antonius to the war-weary, heavily bearded ruler who died at his post in his late fifties.His correspondence with his tutor Fronto, and even more the private notebook he kept for his last ten years, the Meditations, provides a unique series of vivid and revealing glimpses into the character


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A literary commentary on Panegyrici Latini VI(7) : an oration delivered before the emperor Constantine in Trier, ca. AD 310
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ISBN: 1316421791 1108916775 Year: 2021 Publisher: Cambridge : Cambridge University Press,

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The oration presented in this volume is critical to our knowledge of Constantine's early career and covers Maximian's rebellion, Constantine's claim of descent from Claudius II and his vision of Apollo. Written in AD 310, two years before Constantine's capture of Rome and his acceptance of Christianity, the speech gives a unique insight into the evolution of an imperial persona. This commentary examines the literary context of the panegyric and the role of the classical literary and rhetorical tradition in the recreation of Constantine's image. From the outset, the orator praises Constantine as separate from the imperial college: a deus praesens, god manifest, to the people of Gaul. He uses Lucan and Caesar to link Maximian's bid for power with the civil war between Caesar and Pompey while Vergilian allusion associates Constantine with Augustus.

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